Symposium Schedule
All events take place in room G16 at the Martin Harris Centre for Music and Drama, Bridgeford Street, unless otherwise stated. To see an abstract of a particular paper, please click on the name of the speaker. Details are correct at time of publication.
| Saturday 6 September |
| 08.30 |
Coffee and registration |
| 09.15 |
Welcome and opening address |
| 09.30 |
Session 1: Mapping Knowledge
|
| 10.30 |
Session 2: Creative Compilation
| Andrew Woolley |
Restoration keyboard players and their manuscripts: A re-examination of the Purcell-Draghi manuscript, GB-Lbl MS Mus. 1 |
| Stephanie Tritton |
Published Musical Variants and Creativity: An Overview of John Playford's Role as Editor |
|
| 11.30 |
Coffee |
| 12.00 |
Session 3: Invited Paper
Amanda
Eubanks Winkler |
'Our Friend Venus Performed to a Miracle': Anne Bracegirdle, John Eccles, and Creativity |
|
| 13.00 |
Lunch
During the lunch break, two poster presentations will be on display:
- On the compilation of a pictorial catalogue of Restoration Music Hands (Alan Howard)
- The Purcell Plus Project (David Lewis)
|
| 14.00 |
Session 4: Authorship I
| Marina Daiman |
Originality and Repetition in Rubens's English Works |
| Rebecca Herissone |
'To Entitle Himself to ye Composition': Investigating Concepts of Authorship and Originality in Seventeenth-century English Ceremonial Music |
| Stephen Rose |
Plagiarism at the Academy of Ancient Music: A Case Study in Musical Authorship and Professional Scrutiny |
|
| 15.30 |
Tea |
| 15.45 |
Session 5: Authorship II
| Kimberley Skelton |
Creating a National Architectural Practice: John Webb, the Patron and the Craftsman |
| Kirsten Gibson |
Musician, Composer, Author: Creator? Figuring the Author in Early Seventeenth-century Printed Music Books |
|
| 16.45 |
Short break |
| 17.00 |
Session 6: Keynote Paper
|
| 18.00 |
Buffet supper |
| 19.30 |
Concert (Cosmo Rodewald Concert Hall, Martin Harris Centre) |
|
Robin Blaze (countertenor), Liz Kenny (lute); for more details please click here. |
| Sunday 7 September |
| 09.00 |
Coffee |
| 09.30 |
Session 1: Travel and Imagination
| Freyja Cox Jensen |
'Creating' Cato in Early Seventeenth-century England |
| Anne Hultzsch |
The 'artificial sceane': the Re-creation of Italian architecture in John Evelyn's Diary |
|
| 10.30 |
Session 2: Imitation and Arrangement
| John Cunningham |
A Meeting of Amateur and Professional: Playford's 'Compendious Collection' of Two-Part Airs, Court-Ayres (1655) |
Michael Gale and
Tim Crawford |
Musical Compositions as Re-Creation: John Dowland's 'Lachrimae' Pavan during the Seventeenth Century |
|
| 11.30 |
Coffee |
| 12.00 |
Session 3: Invited Paper
|
| 13.00 |
Lunch
During the lunch break, two poster presentations will be on display:
- On the compilation of a pictorial catalogue of Restoration Music Hands (Alan Howard)
- The Purcell Plus Project (David Lewis)
|
| 14.00 |
Session 4: Improvisation and Notation
| Elizabeth Kenny |
Learn to Speak Lute: Fret-Generated Harmonic Language in Seventeenth-century English Music for Lute and Theorbo |
| Bronwyn Ellis |
'The Highest Degree of Excellency?' Sets of Divisions and Issues of Creative Concept |
| Sarah Knight |
Continual Plodders and the Extemporal Vein: Scholarship and Invention in Early Modern English Satire |
|
| 15.30 |
Tea |
| 15.45 |
Session 5: Invited Paper
| Andrew Walkling |
'Big with new events and some unheard success': Absolutism and Creativity at the Restoration Court |
|
| 16.45 |
Closing remarks |
