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School of Arts, Histories and Cultures: MUSIC

Dr Roddy Hawkins
Teaching Fellow

Mr Roddy Hawkins- Teaching Fellow(The University of Manchester)

Contact

Tel: +44 (0)161-2758982

Email: roddy.hawkins@manchester.ac.uk

Biography

I joined the department at Manchester in September 2010, having recently submitted my dissertation for a PhD in Musicology at the University of Leeds (supervised by Martin Iddon and Michael Spencer; funded by the Arts and Humanities Research Council).

* MMus Composition, University of Leeds

Research interests

In September 2010 I submitted my doctoral dissertation '(Mis)understanding complexity from Transit to Toop: 'New Complexity' in the British context (1977-88)' at the University of Leeds (funded by the Arts and Humanities Research Council). This project investigated the narrative of 'New Complexity' and set out to challenge this narrative by tracing the emergence of the term in the British context.

I position my work between empirical and hermeneutic approaches to the sociology of music.

My research interests include:

* New music composition and its reception in Britain since the 1960s
* Music, ideology and aesthetic theory
* The symphony orchestra and cultural policy in the neo-liberal context
* Constructions of British identity in the production and consumption of music

'Left over' from my doctoral research is a large amount of fragmentary material about the institutionalisation of the avant-garde and modernism in Britain during the 1970s. For example, I am currently in the process of writing an article on Pierre Boulez and his conducting activity with the BBC in London (with a particular focus on concerts at the Round House), and undertaking further research into the recordings, performance and reception of Ferneyhough's music in Britain in 1977-78.

In July 2010, with the kind support of the British Academy and the Institute for Musical Research in London, I co-convened an international three-day conference called 'The Symphony Orchestra as Cultural Phenomenon'. A select conference proceedings will be published at the end of 2011, which I will be co-editing with Duncan Boutwood and Julian Rushton.

I am interested in hearing from people who wish to collaborate in a project to collect performance data about the institutionalisation of new music in post-war Europe. I already have some contacts for this project and am aiming to bring other perspectives and expertise into the fold.

Publications

Edited book:
The Symphony Orchestra as Cultural Phenomenon (conference proceedings), ed by Duncan Boutwood, Roddy Hawkins and Julian Rushton (London: School of Advanced Study, forthcoming)

Non-academic article:

Hawkins, R, 'The halting acceptance of change', New Notes (February 2009), 2--3.

Further information
I teach on the following courses this year:

MUSC 10112 'Techniques of Tonal Harmony'
MUSC 10221 'Aural Skills'
MUSC 10512 'Music and its Contexts B'
MUSC 30400 'Dissertation'
MUSC 30500 'Aesthetics'